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Selected lines from Time-Line-English Poetry

Excerpt;

63 Lo!Where the heath,with withering brake grown o'er,

Lends the light turf that warms the neighbouring poor,

From thence a length of burning sand appears,

Where the thin harvest waves its withered ears;

Rank weeds, that every art and care defy,

Reign o'er the land and rob the blighted rye:

There thistles stretch their prickly arms afar

And to the ragged infant threaten war;

There poppies nodding, mock the hope of toil;

There the blue bugloss paints the sterile soil;

Hardy and high, above the slender sheaf,

The slimy mallow waves her silky leaf,

This is from a rather long poem.This is just to show that 'many poets' resort to describing scenes so close to Dame Nature.They may say anything under the sun, but they do need nature's scenes to emphasise what they mean.In these times of heavy pollution filling the skies, the seas, the mountains , would you really want today's poet to divorce himself from the natural scenario , or to sink his poetry to morbid depths alone?

Now the poet George C rabbe (1754-1832) had resided at a number of places.A couple at random are Suffolk and Aldeburgh.These are situated on the Suffolk coast and are still known by their same old nom.The civic administration is highly conscious of environmental issues, and thank goodness this place is free from pollution and is said to be'' away from the crass reaches of commercialization, and prefers to retain the charm'' and ''genteel'' character of days gone by''.

''The Suffolk Coast and Heaths are an area of outstanding natural beauty.''

So its good to know that these places maybe the favorite of visiting tourists today;the same spots which the poet of a Romantic era may have frequented!

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Comments

romantic poets

I agree foggy, there's something irrestible about the way romantic poets particularly drew on nature for many of their metaphores. What is interesting is that it occurs accross many cultures - indicating that seeking metaphores withing the natural enviroment is inate to the human condition.

What strikes me as particular interesting is that Robert Burns in "To a Mountain Daisy", or and Wordsworth in "Daffodils", and numerous metaphysical poets, see the same qualities in flowers as do Persian poets, or Nahuatl poets like Ayocuan Cuetzpaltzin in "From Within the Hevens".

Comming from different times in history, and having little if no opportunity to read each other's work - Cuetzpaltzin for example was writing before the Spanish invasion of the Americas, and its doubtful that either Burns or Wordsworth had any access to Nahuatl poetry - yet in the flower they see the same metaphores of the fleeting nature of life and the tenacity of beauty to exist in an evil environment.

What is most remarkable is that the defference to nature makes it possible for modern day readers to understand metaphores created months, years, decades and even centuries before.

metaphors

i liked your last sentence the best, Douglascomms. it sums up everything like in a nutshell. deference to Nature really unites across living cultures as well as from now to way way back to the past.